“Photography is not cute cats, nor nudes, motherhood or arrangements of manufactured products.
Under no circumstances it is anything ever anywhere near a beach.”
– Walker Evans
Andrew Rogers is a photographer working across both analog and digital processes, blending traditional craft with contemporary practice. His work spans formats from 35mm to 8×10 large-format film, often using cameras he has built himself, including handmade pinhole cameras. Andrew produces photographs through a range of historic and alternative printing processes such as cyanotype, silver gelatin, ziatype, kallitype, and Van Dyke Brown, alongside modern digital printing. His practice explores the tactile, physical nature of photography and the expressive possibilities found in both historic techniques and modern tools.
Andrew has had work featured in several group exhibitions and student shows including; The New Americans Museum, The National Steinbeck Center, The Hyde Gallery and the Borrego Art Institute. He has also had work grace the pages of San Diego’s LGBT Weekly, San Diego Lawyer Magazine, and View Camera Magazine.
Andrew Rogers is currently a fine art photographer based in the Southeastern US.
